My furniture and carvings are all hand made by myself in my small shop located in the foothills of the Blue Ridge Mountain in Forest, Virginia.
 

 I have been making museum quality period-inspired furniture,  for over 40 years.  This work includes carved period furniture elements such as ball and claw feet, shells, cartouches, etc,.  This led to my carving Bellamy eagles and other iconic early American pieces over the past 10 years. My work is historically grounded and has been poplar with designers, architects, historic preservation sites, institutional and civic interiors, as well as museum-quality heirlooms for customer libraries, exterior entryways, halls, over mantles, and formal interiors.  I pride myself on the historical authenticity, permanence, symbolism, and the very highest quality of each piece.  The majority of my work is one-of-a-kind and can take months to complete. Each piece is made and finished entirely by myself. The great majority of my work is done using traditional methods with hand tools.
   I grew up on a tree farm in Chester County, PA and served an apprenticeship in the shop of E. Townsend Moore in Darling, PA (near Media, PA).  Moore was a curator at the 'Historic Wintertur Estate and Museum' outside Wilmington, Delaware.  He was part of a two centuries long legacy of Chester County fine furniture makers.   Chester County furniture developed a unique style that stemmed largely from the 17th century Welsh, English Quakers, and Dutch settlers.  Certain unique design features include use of line-and-berry holly inlay, paneled chests, and regional William & Mary period detail.   Except for painted pine pieces, Federal inlay, and my Windsor chairs, I exclusively use the abundant traditional local hardwoods: cherry, maple, and walnut.  The Philadelphia makers, a three-hour ride by horse to the East, were producing some of the finest furniture in the colonies. That style has been another strong influence on my work, especially with highly carved rococo pieces.  

       I've been making and learning about period furniture for over 40 years.  My pieces have been selected for museums and historic sites, including James Madison's Montpelior and Historic Jamestown.  My work has been featured in Fine Woodworking, Popular Woodworking, and Woodwork Magazines and featured in exhibits from SanDiego, CA to Rockport, Maine. I have won numerous awards including the coveted international 'Veneer Challenge' in 2018.  I am recognized as a leading authority on the 19th century carver, Edward Halley Bellamy, from Kittery, Maine.  My traditional Bellamy eagles are carved, gold-leafed and painted entirely by hand and have sold throughout the world to collectors and museums.

    I prefer to make 'historically informed' pieces.  Unless requested by a museum, my furniture is not an exact reproduction, but will incorporate design motifs and joinery that is representative of 18th and 19th century furniture.  My work is made using similar hand-cut joinery and detail, but each piece is my own design. Except for my museum & historic site reproductions where exact copies are desired, my furniture is one of kind, based on traditional design elements.

     I like to scour museum archives and study originals for ideas, patterns, moldings, inlay designs, & proportions.  I enjoy sketching details of the Chester County pieces I see in homes and exhibits in my home area.  I think that with time one develops a trained eye.  Craft is a combination of knowledge, skill and intuition all working together.  It takes time and work to gain this, but it's fun.  A passion for excellence and beauty is why I love to make furniture.   

     It can take months to make a piece, depending on the complexity, amount of carving, etc.  I use dovetail and mortise & tenon joints cut by hand without jigs or machines.  In my opinion, the right look cannot be matched by machines. Surfaces are hand planed and hand scraped, resulting in subtle variations that reflect light which is so valued in the originals.  This is labour intensive, but usually appreciated by discerning furniture lovers.  

      I use oils for most of my furniture finishes.  Linseed and other natural oils accentuate figured woods nicely.  I often use pigment dyes end with many thin coats of rubbed shellac or a silky thinned varnish for more protection on a table top.  My goal is to maximize the natural character of the wood, create a hand-made texture and chatoyance, whilst avoiding the plastic look common to factory furniture.  My pieces will last generations and will age gracefully, gaining the lovely patina of our favourite antique originals.

Please note that since I’m a one man shop, your patience in receiving your order is greatly appreciated! Orders are filled in the order they are received.  I sometimes have a six month backlog, but will do my best to complete your piece in a timely manner.  Many of my pieces pictured here are immediately available for shipment.

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Payment terms:  Half due at time of order; Remainder, plus shipping, is due when the carving is completed.  Postal rates increase significantly for carvings longer than 36 inches.   Orders for new carvings will be completed as soon as possible, depending on backlog. Average wait time is 3 months.

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My period furniture website
Instagram - watch my current projects come alive

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